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<item><title>Stories of Freedom 2026</title><link>https://www.thegoodmedia.net/article/stories-of-freedom-2026</link><pubDate>Tue, 28 Jul 2026 12:47:49 +0200</pubDate><dc:creator>Anna Ramskogler-Witt</dc:creator><guid>https://www.thegoodmedia.net/article/stories-of-freedom-2026</guid><description>Stories of Freedom honors documentaries and feature films that tell the stories of freedom struggles of our time. It showacases films that wont let you go. </description><enclosure
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<item><title>Co-Curating On Screen</title><link>https://www.thegoodmedia.net/article/co-curating-on-screen</link><pubDate>Thu, 21 May 2026 14:39:00 +0200</pubDate><guid>https://www.thegoodmedia.net/article/co-curating-on-screen</guid><description>Medienboard Berlin-Brandenburg invited TGMN to co-curate ON SCREEN, re 2026’s programme dedicated to the future of film and audiovisual media. Together, three formats were developed at the intersection of cinema, technology and society.</description><enclosure
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<item><title>How Documentary Film Finds Its Audience of Tomorrow</title><link>https://www.thegoodmedia.net/article/how-documentary-film-finds-its-audience-of-tomorrow</link><pubDate>Wed, 20 May 2026 11:15:00 +0200</pubDate><guid>https://www.thegoodmedia.net/article/how-documentary-film-finds-its-audience-of-tomorrow</guid><description>At DOK.fest Munich, Anna Ramskogler-Witt moderated a panel on one of the documentary industry&#039;s most pressing questions: how can documentaries still reach their audiences in a digital-first world? </description><enclosure
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<item><title>This is not the film history you know</title><link>https://www.thegoodmedia.net/article/this-is-not-the-film-history-you-know</link><pubDate>Sun, 08 Mar 2026 07:51:00 +0100</pubDate><dc:creator>Anna Ramskogler-Witt</dc:creator><guid>https://www.thegoodmedia.net/article/this-is-not-the-film-history-you-know</guid><description>This is not the film history you know. With Another Story, we and our European partners are making documentary films by women visible again, films that were overlooked for far too long.</description><enclosure
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<item><title>Who Documents History, and Which Films Become Visible?</title><link>https://www.thegoodmedia.net/article/who-documents-history-and-which-films-become-visible</link><pubDate>Fri, 20 Feb 2026 17:05:00 +0100</pubDate><dc:creator>Anna Ramskogler-Witt</dc:creator><guid>https://www.thegoodmedia.net/article/who-documents-history-and-which-films-become-visible</guid><description>For its third edition, we brought “Films Change the World” to the Rotes Rathaus during the Berlinale. An industry conversation that looks beyond premieres to the real conditions, responsibilities and consequences of documentary filmmaking.</description><enclosure
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<item><title>A Full Day for Courage and Resistance</title><link>https://www.thegoodmedia.net/article/a-full-day-for-courage-and-resistance</link><pubDate>Sun, 16 Nov 2025 14:00:00 +0100</pubDate><guid>https://www.thegoodmedia.net/article/a-full-day-for-courage-and-resistance</guid><description>What does freedom mean, and who is fighting for it around the world? With Stories of Freedom, on 14 November we brought a programme to Berlin that asks exactly this question.</description><enclosure
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<item><title>Cinema Across Borders</title><link>https://www.thegoodmedia.net/article/cinema-across-borders</link><pubDate>Sun, 20 Jul 2025 13:53:00 +0200</pubDate><dc:creator>Anna Ramskogler-Witt</dc:creator><guid>https://www.thegoodmedia.net/article/cinema-across-borders</guid><description>In July 2025, the Doxumentale travelled. To Serbia and Bosnia, for three public screenings, together with partners from across Europe.</description><enclosure
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<item><title>When a Film Becomes a Movement</title><link>https://www.thegoodmedia.net/article/when-a-film-becomes-a-movement</link><pubDate>Thu, 26 Jun 2025 13:40:00 +0200</pubDate><dc:creator>Anna Ramskogler-Witt</dc:creator><guid>https://www.thegoodmedia.net/article/when-a-film-becomes-a-movement</guid><description>A strong film is only the beginning. At the Good Media Pitch, six projects presented their impact strategies to the very people who can turn them into reality. This is the work that gives a film a second life.</description><enclosure
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<item><title>Dx&#039;25: Ten Days When Berlin Listened to Reality</title><link>https://www.thegoodmedia.net/article/dx</link><pubDate>Mon, 23 Jun 2025 13:47:00 +0200</pubDate><dc:creator>Anna Ramskogler-Witt</dc:creator><guid>https://www.thegoodmedia.net/article/dx</guid><description>For the second time, we turned Berlin into a space of resonance for reality. What remains are full houses, long conversations, and the certainty that documentary film has a home here.</description><enclosure
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<item><title>Why We Work with Films4Transparency</title><link>https://www.thegoodmedia.net/article/why-we-work-with-films4transparency</link><pubDate>Thu, 22 May 2025 11:19:00 +0200</pubDate><dc:creator>Anna Ramskogler-Witt</dc:creator><guid>https://www.thegoodmedia.net/article/why-we-work-with-films4transparency</guid><description>Documentaries are not just about bearing witness. They are about building momentum. That is exactly why we work with Transparency International and the International Anti-Corruption Conference.</description><enclosure
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